A Vintage Walter Brightwell “A Day in June” Lithograph: How to Identify, Authenticate, and Estimate Value

If you inherited a framed print titled “A Day in June” by Walter Brightwell, you’re not alone. Brightwell’s quaint Americana scenes were widely distributed in the late 20th century, and many examples are open-edition lithographs with a signature printed in the plate. This guide shows what that means, what drives value, and how to sell it safely.

Vintage framed lithograph print with a warm-toned rural summer landscape displayed on a wall
Credit: Appraisily (AI-generated).

Have photos of the margins and the back?

A quick review of the signature area, the edition markings (if any), and the frame backing is usually enough to separate a decorative open edition from a more collectible limited edition.

  • Value range estimate (decor vs limited-edition premium)
  • Authenticity screening: plate signature vs pencil signature
  • Selling plan: local pickup vs safe shipping
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The most common backstory we hear is something like: “I inherited this Brightwell print from my parents or grandparents.” That lines up with how many Brightwell lithographs entered homes—gift shops, décor stores, and print distributors in the late 20th century.

The good news is that valuing a Brightwell lithograph is straightforward once you answer a few questions:

  • Is it open edition or limited edition? Limited edition prints are typically numbered and often pencil signed.
  • Is the signature hand-signed or plate-signed? A plate signature is printed (it’s part of the image).
  • Is the condition clean? Mat burn, foxing, or moisture stains can reduce value quickly.
  • Is the frame adding value? A quality frame can matter for décor buyers.

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Appraisal value range: what most owners can expect

For many late-20th-century Brightwell prints (especially examples that are not numbered and show a plate-printed signature), market value is driven more by décor demand than by rarity.

A practical retail range for a clean, nicely framed example is often around:

  • $150–$250 for an open-edition, plate-signed lithograph in good condition

Important: pricing varies by size, frame quality, and local demand. If your piece is numbered (e.g., “27/250”) and pencil signed, the value can move into a higher bracket.

What you likely have: open edition, plate-signed lithograph

A “lithograph” can mean different things in everyday listings. In this context, most Brightwell décor prints are traditional offset lithographs or similar print processes intended for broad distribution.

Two clues matter the most:

  • No edition number. If there’s no “x/y” numbering on the margin, it’s usually an open edition.
  • Signature “in plate.” If the signature looks perfectly integrated into the image (and has no raised graphite sheen), it is probably printed as part of the artwork.

How to identify the print process (simple at-home checks)

You don’t need special equipment to get 80% of the way there. Start with a bright lamp and, ideally, a cheap 10× loupe.

1) Look for halftone texture and consistent ink

Many widely distributed lithographs show a regular “dot” or rosette pattern in areas of smooth tone (sky, shadows). That’s typical for offset lithography and similar commercial processes.

Macro view of fine-art print texture showing paper fibers and subtle ink pattern
Credit: Appraisily (AI-generated). Macro texture is a common clue for commercial print runs.

2) Check the lower margin for pencil marks

A limited edition print typically has pencil writing below the image:

  • Left: edition number (e.g., 27/250)
  • Right: artist signature (pencil)
  • Center: title (sometimes) and/or printer/publisher info

If your “signature” looks printed, extremely uniform, or is inside the image area, treat it as plate-signed unless you can clearly see graphite (a slight metallic sheen under light) and minor hand variation.

3) Inspect the paper and the mat window

Paper quality varies. Thicker, textured paper and generous margins are more common in collector editions. Decorative prints are often on smoother paper and may be tightly matted.

Also look for mat burn: a slightly darker rectangle where the mat covered the sheet for decades.

Condition issues that affect value (and how to describe them)

Condition is a major price lever for framed prints because many buyers are buying the piece as wall décor.

  • Foxing: small brown specks from humidity/age (often in margins)
  • Fading: sunlight can wash out greens and blues
  • Rippling or waviness: moisture exposure or poor framing
  • Acid burn: yellowing where a non-archival mat touched the paper
  • Frame problems: broken glass, loose backing, moldy dust cover

If you plan to sell online, it’s worth taking the print out of direct sunlight and photographing it in even light to avoid glare.

What to photograph for an appraisal or listing

For a Brightwell lithograph, the best set of photos is simple:

  • Full front shot (straight-on, no flash glare)
  • Close-up of the lower margin (edition marks, signature area)
  • Back of the frame (dust cover removed if safe) showing labels, stamps, or framer notes
  • Corner close-ups (paper condition, creases, foxing, mat burn)
  • Frame profile (depth, finish, any damage)

How to sell a framed Brightwell lithograph

Most Brightwell décor prints sell best when you aim at buyers who want ready-to-hang wall art.

  • Local sale (fast, no shipping risk): Facebook Marketplace, OfferUp, Craigslist. Include framed size and a clear photo.
  • Nationwide buyer (bigger audience): eBay or Etsy. Be conservative about shipping—glass + frames break.
  • Consignment: décor-oriented consignment shops may stage it better and reach interior designers.

Shipping tip: remove glass if you can do it safely (or replace with acrylic), protect corners, and double-box. Always insure for the full sale price.

When a professional appraisal is worth it

A professional review is especially useful if:

  • The print is clearly numbered and pencil signed
  • You have original paperwork, a gallery receipt, or a distributor label
  • The work is unusually large or exceptionally well-presented
  • You need a defensible value for insurance, donation, or estate planning

Search variations collectors ask

Readers often Google:

  • Walter Brightwell A Day in June lithograph value
  • is a Brightwell print signed in plate worth anything
  • how to tell if a lithograph is hand signed or printed
  • Brightwell lithograph open edition vs limited edition
  • where to sell vintage framed lithographs near me
  • how to ship a framed print without breaking glass
  • what is foxing on paper and does it reduce value
  • how to photograph the back of a framed print for appraisal
  • does a numbered lithograph always have higher value

Each question is answered above (edition clues, condition drivers, and safe selling options).

References

Wrap-up

Most “A Day in June” Brightwell lithographs on the market are valued as attractive, collectible décor—especially when the print is not numbered and the signature is printed in the image. Start by documenting the margins and the back of the frame, confirm condition, then choose a selling path that fits your risk tolerance (local pickup vs insured shipping).

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