A Pair Of Robert Hanke Floral Vases Circa 19th Century

Robert Hanke floral vases occupy a sweet spot for collectors: recognizably Austro-Bohemian in style, well-made yet accessible, and frequently encountered in matched pairs that still look impressive on a mantel. If you’re assessing a pair labeled “Robert Hanke, Austria,” this guide will help you identify authentic pieces, bracket the date, evaluate condition, and understand value drivers in today’s market.

The Maker and Historical Context

• Name and location: Porzellanfabrik Robert Hanke operated in Ladowitz (German: Ladowitz; modern Ledvice, Czech Republic), in the broader Teplitz/Teplice ceramic region of Bohemia. At the time, this was part of the Austro-Hungarian Empire.
• Period of activity: Late 19th century into the early 20th century, with the strongest export period roughly 1890–1914.
• Output: Ornamental porcelain—vases, ewers, jugs, and garniture sets—often with molded Rococo or early Art Nouveau profiles, floral transfers enhanced by hand-painted enamels, and liberal gilding.
• Export focus: Hanke shipped widely to the UK and United States. Country-of-origin marks (“Austria”) appear in response to import regulations, helping date pieces within a 20-year window around 1891–1914.

Where Amphora (Turn-Teplitz) and RS Prussia often dominate conversations about Central European porcelain of the era, Hanke sits slightly more modestly in terms of price and renown, but its best pieces exhibit refined modeling, strong decorative schemes, and durable porcelain bodies that have aged well.

Forms, Decoration, and Hallmarks of Style

Expect late Victorian/Art Nouveau sensibilities with flowers front and center. Paired vases were intended as mantel garnitures or sideboard statements and typically share a mold with mirrored decoration.

Common Hanke traits:

• Forms: Baluster and amphora vases; waisted or fluted necks; scrolled, pierced, or leaf-molded handles; occasional ewer-style spouts. Heights commonly 9–16 inches; larger examples exist.
• Grounds: Cream, pale celadon, soft blushes, and gradient washes. Matte or satin grounds often contrast with glossy floral panels.
• Decoration: Transfer-printed bouquets (roses, irises, poppies, chrysanthemums) with hand-enamel highlights to petals and leaves; gold stenciling and hand-gilded borders or cartouches. Better pieces show crisp, non-blurry transfers, delicate overpainted veining on petals, and well-controlled gilding.
• Gilding: Rim bands, handle accents, and scrolling reserves. Wear tends to show at the rim, shoulder, and high points of handles first.
• Modeling: Relief scrolls and shells are common. Expect well-defined edges; soft or indistinct relief may suggest heavy wear or a different maker.

A “pair” is typically two vases from the same mold and decorative program, often mirror-imaged in their floral sprays. Married pairs—two similar but not originally matched vases—are common and should be valued accordingly.

Dating and Factory Marks

Marks vary, but many Hanke vases carry a recognizable “RH” and an Austrian origin statement.

What you are likely to see:

• RH mark: A crowned “RH,” “R.H.,” or “RH” within a circle or shield. Ink colors are commonly green or red; black is less typical.
• Country-of-origin: “Austria” is common and indicates export; as a dating clue, the McKinley Tariff (1891) triggered country marks for U.S. imports. “Austria” (without “Made in”) tends to fall 1891–1914. “Made in Austria” appears later; it’s less frequent on Hanke and may indicate very late production or later overmarks.
• Script: “Robert Hanke” or “R. Hanke” occasionally appears.
• Mold/decorator marks: Impressed mold numbers and size codes on the foot; small painted decorator’s numerals in red or blue overglaze.

Dating cues beyond marks:

• Aesthetic: Fuller Rococo revival shapes and dense gilt suggest 1890s; more sinuous Art Nouveau lines and iris motifs signal circa 1900–1910.
• Ground and palette: Softer matte grounds with beaded enamel accents tend to sit nearer 1900; heavy blush and thick gilding lean earlier.

Caution: Marks were sometimes blurred or partially applied. Cross-check the body, modeling, and decoration against known Hanke characteristics before concluding.

Condition Assessment: What Appraisers Look For

Porcelain survives well, but the vulnerabilities are consistent. Examine with bright, raking light and a loupe.

Key checkpoints:

• Rims and handles: Look for tiny nicks, flakes, and stress lines, especially where handles join the body. A tight hairline at the rim is common and affects value.
• Sound test: A gentle tap should produce a clear ring if free of cracks. A dull thud can indicate a crack or restoration. Test carefully and only when safe.
• Gilt wear: Normal, especially at rims and high points. Even, honest wear is acceptable; patchy or abruptly “too-new” gold can hint at regilding.
• Overpainting and restorations: UV light can reveal modern overpaint. Fluorescence on petals, around cracks, or over gilt often signals repair. Also check for resin fills at chips.
• Foot rim: Check for grinding or resurfacing to hide chips. Uneven or chalky texture around the foot can betray work.
• Matching integrity: For pairs, compare height to within a few millimeters, match the mold lines and relief, and assess whether floral sprays mirror each other. Painterly differences are normal; structural inconsistencies suggest a married pair.
• Staining/crazing: Porcelain crazes less than earthenware; widespread crazing or tea-colored staining may indicate a different body or a later issue.

Original pairs in clean condition, with only light gilt wear and no structural issues, deserve a premium.

Value Drivers and Market Ranges

Values fluctuate by venue and geography, but several factors consistently influence appraisal outcomes:

• Size and presence: Over 12 inches commands more attention; large, dramatic amphora forms or ewers with elaborate handles do best.
• Quality of decoration: Crisp transfers, fine hand-enamel highlights, nuanced shading, and intact gilding increase value. Bold florals like roses and irises are broadly popular.
• Condition: No cracks, no repairs, and minimal gilt loss are the standard for upper-tier pricing. A single professional repair can reduce value by 30–50% depending on visibility and location.
• Originality as a pair: True, mirror-imaged pairs are worth more than two similar singles. Married pairs should be disclosed and priced below original pairs.
• Rarity of shape: Sculptural handles (e.g., serpentine or figural), pierced necks, and unusual molds are scarcer and bring premiums.
• Marks and dating: Clear RH with “Austria” is reassuring; ambiguous or absent marks require stronger support from style and body.

Indicative ranges as of the current market:

• Typical pair, 10–14 inches, roses/poppies, good condition: roughly $150–350.
• Larger or exceptional pairs, 15–18 inches, superior gilding/enamel, clean condition: roughly $400–800.
• Scarce forms (complex handles, exhibition-level modeling) or near-mint large pairs: can reach $800–1,500+.

Auction volatility applies: pairs with strong photography and clear condition statements outperform. Damage, however well repaired, suppresses competition.

Authentication and Common Mix-Ups

Hanke pieces are sometimes confused with other Bohemian or German makers. Distinguish by mark, modeling, and decorative approach:

• RS Prussia (Reinhold Schlegelmilch): Look for the “RS Prussia” wreath mark. RS Prussia often uses finer, translucent bodies with delicate mold work and distinctive pictorial transfers. Hanke’s modeling is robust, and “RH”/“Austria” marks differ.
• Moritz Zdekauer (MZ Austria): Typically marked with an eagle and “MZ Austria.” Decoration can be similar; compare mark and mold quality.
• Amphora (Turn-Teplitz): Often earthenware or mixed bodies with more sculptural, Art Nouveau forms. Marks include “Amphora Austria” with crowns/ovals. Amphora tends to be heavier and more sculpted than standard Hanke vases.
• Unmarked Austrian: Some unmarked Bohemian/Austrian blanks exist. In absence of a mark, rely on mold lines, paste color, translucency, and typical Hanke decorative vocabularies.

Red flags:

• Modern, glossy over-gilding that sits on top of wear patterns.
• Transfers that bleed or pixelate suggest later decals or poor restorations.
• Overly white, chalky paste at chips (new filler material) rather than hard vitrified porcelain.

Care, Display, and Long-Term Preservation

• Cleaning: Dust with a soft brush or microfiber. If needed, wipe gently with a barely damp cloth and pH-neutral soap. Avoid soaking, especially if you suspect hairlines or filled repairs.
• Gilding: Never use abrasives. A dry microfiber is safest. Gold is soft; repeated rubbing thins gilding.
• Adhesives: Leave structural repairs to conservators. Modern cyanoacrylates can bloom and stain.
• Light and heat: Keep out of direct sunlight and away from heat sources; UV can dull paint and gold over time.
• Stability: Use discreet museum gel or wax on shelves in quake-prone areas. Add felt pads beneath feet to prevent scuffs.

A Practical Checklist for Appraising a Pair of Robert Hanke Floral Vases

• Confirm mark: Look for “RH” and “Austria”; note color, form, and any accompanying crown/shield.
• Measure both: Heights should match within a few millimeters; verify mirror-image decoration.
• Inspect rims/handles: Check for hairlines, chips, and stress at handle joins.
• Test the ring: A clear chime is good; a dull sound may indicate cracks or repairs.
• Evaluate gilding: Expect honest wear; beware patchy, bright regilding.
• Scan under UV: Look for overpaint on flowers, around cracks, or on gilt.
• Check the foot: Examine for grinding, repainting, or resin fills.
• Assess decoration: Crisp transfers with hand-enamel accents and neat gilding score higher.
• Record mold/decorator numbers: Impressed or painted codes can support identification.
• Photograph thoroughly: Front/back, marks, flaws, and a side-by-side image of the pair.

Frequently Asked Questions

Q: What does the “RH Austria” mark signify? A: “RH” stands for Robert Hanke, and “Austria” denotes the country of origin for export. Together they indicate production in Bohemia (then under Austria-Hungary), most commonly between 1891 and 1914.

Q: Are Robert Hanke vases porcelain or earthenware? A: They are porcelain. Bodies are vitrified, reasonably fine, and often slightly translucent at thin points. Earthenware examples attributed to Hanke are atypical.

Q: How can I tell if my pair is truly original and not a married set? A: Confirm identical molds and near-matching height, look for mirrored floral layouts, and compare ground colors and gilt patterns. Differences in paste color, weight, or relief sharpness suggest a marriage.

Q: Do professional restorations ruin the value? A: Good restorations stabilize and improve display, but they reduce market value to varying degrees—often 30–50% for cracks or replaced chips. Invisible, disclosed work fares better than undisclosed quick fixes.

Q: What’s the best venue to sell a Hanke pair? A: Specialist auctions and reputable dealers with a ceramics clientele typically achieve stronger results. Clear photographs, accurate measurements, mark images, and transparent condition notes are essential in any venue.

By combining mark literacy, stylistic recognition, and rigorous condition checks, you can confidently place a pair of Robert Hanke floral vases in their historical context and appraise them with accuracy. These Austro-Bohemian garnitures still deliver the decorative charm that made them export successes over a century ago—and the market continues to reward matched, clean examples with quality decoration.