A Victorian Circa Late 19th Century Antique Teak Cash Box

A late Victorian teak cash box blends the practicality of commercial life with the craftsmanship of the Anglo-Indian campaign tradition. For collectors and appraisers, the appeal lies in sturdy tropical hardwood, brass-mounted protection, and interiors tailored for coin, note, and receipt management. This guide explains how to identify, date, assess condition, and value a 19th-century teak cash box with confidence.

Historical Context and Use

The last quarter of the 19th century saw British imperial trade at full stride. Teak—sourced primarily from Burma (Myanmar) and India—was prized for its durability, resistance to pests and moisture, and its “oily” working properties. Cash boxes in teak were especially popular among merchants, ship pursers, plantation and factory managers, railway station staff, and civil servants across the subcontinent and in British ports. Many examples were produced in Indian workshops for European retailers, bridging local craftsmanship with metropolitan tastes.

These boxes occupy a niche between campaign furniture and office equipment. Their brass corners and strapwork echo the rugged, portable ethos of campaign chests, while their interior trays and tills speak to daily cash handling. Some boxes were retailed by well-known British firms (Army & Navy Co-operative Society, or provincial outfitters), with labels occasionally surviving on the lid interior or tray undersides. Others bear only local cabinetmaker marks or unstamped locks.

Typical dimensions: 30–40 cm wide (12–16 in), 20–30 cm deep (8–12 in), and 15–20 cm high (6–8 in). Variations exist: taller boxes accommodate deeper coin tills; flatter ones emphasize note storage and receipts. Heavier examples often signal denser, older-growth teak and more extensive brasswork.

Materials and Construction Details

Understanding how these boxes were made makes authentication and appraisal easier.

• Wood: Genuine teak (Tectona grandis) ranges from golden-brown to medium brown, often with darker streaks. The grain is generally straight or wavy with a lustrous, slightly greasy surface; it feels smooth even before waxing. In end grain, you can see large open pores with pale deposits; medullary rays are fine and not prominent. Teak’s natural oils and silica content dull tools quickly—a reason surfaces often show clean, burnished planing marks.

• Brasswork: Brass straps, corner protectors, an escutcheon, and often recessed side handles are hallmarks. On late 19th-century examples, straps are typically machine-cut but hand-fitted; file and scrape marks remain visible. Screws are slotted brass or steel, usually countersunk flush to the brass. Expect tasteful proportions: 12–20 mm strap widths and solid cast corners, not thin pressed sheet.

• Handles: Two types appear:

  • Recessed “campaign” side handles, cast brass in a flush-mounted backplate mortised into the side.
  • Occasionally, a top-mounted bail handle in brass for single-point lifting. Better boxes favor recessed side handles for balanced carrying.

• Hinges and Lock: Brass butt hinges are common; quality examples may have stop or quadrant stays to support the lid. Locks are usually small lever locks. Look for a brass or steel lock plate stamped with a crown cipher or the initials VR (Victoria Regina), “Patent,” “Secure Lever,” or a maker. A shield- or oval-shaped brass escutcheon protects the keyhole.

• Interior: Expect a removable tray with coin divisions and a larger compartment beneath for notes and ledgers. Tray bottoms can be plain teak, baize (green or blue), or marbled/printed paper. Edges may have a small dust-lip that nests into the lower carcass. Some interiors include a shallow secret space behind the front apron or under a false tray bottom; these are more common in writing slopes but do appear in cash boxes.

• Joinery and Finish: Dovetailed corners are standard in better workshop production. Machine-cut dovetails with consistent spacing and clean shoulders are typical for late Victorian export work. The finish was most often shellac (French polish) with wax. Teak’s oils accept shellac well; expect a mellow, not high-gloss sheen on older examples.

Distinguishing look-alikes:

• Camphorwood is lighter in tone, fragrant (camphor smell), with interlocked grain; often used for trunks rather than smaller cash boxes.
• Padouk or rosewoods present richer reds or purplish-browns with denser figure; often indicate a more decorative, non-campaign style.
• Japanned tin or steel cash boxes from the same period have painted or lacquered metal bodies with lithographed labels—useful comparables but different category.

Dating and Authentication Cues

Dating a teak cash box to the late 19th century involves a convergence of evidence:

• Hardware chronology:

  • Screws: By the 1870s–1890s, machine-made screws with uniform slots and tapered, pointed tips are standard. Pre-1850 screws often have off-center slots and blunt tips; those are uncommon here.
  • Hinges: Brass butt hinges mortised neatly suggest later 19th-century mechanized consistency. Hand-forged strap hinges would be earlier and atypical.
  • Locks: Lever locks stamped with VR or British makers support a Victorian date. Generic “SECURE LEVER” stamps are common from the period.

• Brasswork execution: Machine-regular strap widths but hand-finished edges and file marks align with c. 1875–1900 Anglo-Indian shop practice. The patina should be warm, with micro-scratches and rounded high points. Bright mirror polish with no micro-wear often signals recent replacement or aggressive polishing.

• Joinery: Even, machine-cut dovetails (narrow pins, uniform spacing) and clean plow cuts for the bottom panel’s groove point to later 19th-century mechanization. Entirely hand-cut, large dovetails can indicate earlier manufacture but are rarer in export cash boxes.

• Interior materials: Original baize tends to be faded, threadbare at corners, and oxidized to dull blue/green. Paper linings show foxing, edge lifting, and period marbling/printing styles. Fresh, bright felt and stark white paper without age tone are likely replacements.

• Tool and surface marks: Smooth planed surfaces with a low, warm sheen (shellac and wax) and minor shrinkage lines around brass insets are consistent with age. Saw kerf patterns from circular saws (regular arcs) appear by the mid- to late-19th century; ripsawn chatter can appear on hidden surfaces.

• Labels and stamps: Retailer paper labels inside lids, pencil stock numbers beneath trays, and incised cabinetmaker initials on the underside are all useful. A London retailer label with an Indian assembly is common in Anglo-Indian goods.

Beware of red flags:

• Veneered softwood masquerading as solid teak, especially on lids and visible faces.
• Over-thick polyurethane varnish obscuring grain and pores.
• Uniform Phillips screws (20th century onward) and pressed sheet brass corners with stamped radii.

Condition, Conservation, and Care

Condition drives value. Evaluate and preserve carefully:

• Wood condition: Expect minor shrinkage cracks, small corner knocks, and old, stable checks. Active splits, warping lids that don’t register on the dust lip, or water staining that blackens the grain will reduce value. Black spotting around brass may be corrosion staining; acceptable if minor.

• Brass: Original lacquer, if any, will be long gone. Stabilize verdigris (green deposits) with a dry nylon brush; avoid harsh polishes that erase age. If you must brighten brass, use a very mild polish applied selectively, then wax; do not remove it from the wood.

• Locks and keys: A working original lock with its period key is a premium. Missing keys are common; fitting a period-appropriate replacement is acceptable but should be disclosed. Never force a stuck lock; consult a restorer accustomed to antique lever locks.

• Lining and trays: Retaining original baize or paper adds authenticity. If replacement is necessary, choose historically sympathetic materials and document the intervention.

• Finish: Preserve original shellac and wax where possible. Clean with a barely damp, soft cloth, then apply a high-quality microcrystalline wax sparingly. Avoid saturating with “teak oil”—these modern blends can darken and blotch antique surfaces.

• Environment: Stable humidity (40–60%), away from direct heat and sunlight. Teak tolerates variation better than many hardwoods, but brass insets expand/contract differently; stability minimizes new gaps.

Conservation priorities:

• First, stabilize structure (loose joints, lid alignment).
• Second, arrest corrosion and insect activity (teak resists pests, but interior papers can attract them).
• Third, cosmetically improve without erasing age—gentle cleaning and wax, not stripping.

Market Values and Appraisal Factors

Values vary by region and retail channel, but late Victorian teak cash boxes generally fall into accessible price tiers:

• Entry level (fatigued condition, missing brass or key, replaced lining): USD 100–250.
• Typical collector grade (sound structure, honest wear, complete brass, lock present, possible key replacement): USD 250–600.
• Better examples (high-quality brasswork, recessed side handles, working original lock with key, original interior fittings, modest maker/retailer attribution): USD 600–1,200.
• Exceptional (documented retailer or colonial provenance, secret compartment, superior joinery and finish, untouched surfaces): USD 1,200–1,800+.

Key value drivers:

• Authentic materials and construction consistent with 1875–1900 production.
• Completeness (brass straps/corners, handles, lock and key, trays).
• Original finish and interior; tasteful, documented conservation.
• Size and proportions (balanced, portable dimensions command more interest).
• Provenance (labels, receipts, family history, colonial service links).
• Rarity of features (secret compartments, maker stamps, atypical configurations).

While teak is not a restricted species in the manner of many Dalbergia rosewoods, some modern customs regimes scrutinize antique imports. Ensure age documentation when shipping internationally.

Documentation and Provenance Tips

Well-documented examples outperform similar boxes without paper trails. Build a dossier:

• Photographs: Exterior (all sides, close-ups of brass, screws, corners), interior (tray, beneath tray, lining), end grain, lock stamps, any labels or pencil marks.
• Measurements and weight: Note dimensions and any unusual thicknesses or oversized brass.
• Condition report: Itemize losses, repairs, replaced screws or lining, lock status.
• Attribution notes: Record any retailer labels, ciphered locks (VR), and stylistic comparisons to campaign furniture from the period.
• Ownership history: Even short chains (estate sale details, family statements) matter; retain copies of invoices and appraisal notes.

Quick Appraisal Checklist

• Confirm solid teak: color, oily feel, large pores; not veneered softwood.
• Inspect brass: cast corners/handles, hand-filed edges, slotted screws; avoid modern Phillips screws.
• Check joinery: machine-cut dovetails typical for late Victorian; clean mortises for recessed handles.
• Examine lock: lever lock with period stamp preferred; verify working key or note absence.
• Assess interior: original tray and baize/paper? Document replacements.
• Evaluate finish: shellac/wax with gentle patina; avoid stripped, glossy polyurethane.
• Look for labels/stamps: inside lid, under tray, lock plate; note any VR cipher.
• Condition summary: lid alignment, splits, verdigris, water stains; structural soundness.
• Provenance: gather photos, receipts, and any family or retailer documentation.
• Market tier: assign value range based on completeness, originality, and features.

Frequently Asked Questions

Q: How can I tell teak from camphorwood or rosewood? A: Teak is golden- to medium-brown with a slightly oily feel and large open pores; it has a subtle leather-oil scent when fresh cut. Camphorwood is paler, often streaky, and distinctly aromatic (camphor smell). Rosewoods are heavier, with denser, darker figure and a sweet, spicy scent when worked. End-grain pores in teak are larger and more open than in most rosewoods.

Q: Should I polish the brass to a bright shine? A: Light cleaning is fine, but leave a mellow patina. Over-polishing erases age and can lower value. Use a mild polish sparingly, avoid residue on the wood, and finish with microcrystalline wax. Do not sand or aggressively buff the brass.

Q: The lock has no key. Is it worth replacing? A: Yes, a functioning lock improves usability and value. Have a restorer cut a period-appropriate lever key or fit a sympathetic antique lock if the original is beyond repair. Always disclose the intervention in your records.

Q: What finish should I use to refresh the wood? A: Clean gently and apply a thin coat of microcrystalline wax. Avoid modern “teak oils” and polyurethane varnishes; they can blotch or create an incongruous gloss. If the shellac is failing, consult a conservator to re-amalgamate or patch rather than strip.

Q: Were secret compartments common in cash boxes? A: Less common than in writing slopes, but they do occur—typically shallow spaces under a false tray bottom or behind a narrow rail. Check for unusual gaps, removable slips, or asymmetric boards. Document any discovery carefully.

By focusing on correct wood identification, period-appropriate hardware, careful condition assessment, and clear documentation, you can confidently appraise a Victorian late 19th-century teak cash box—recognizing both its practical roots and its enduring, portable elegance.