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March 15, 2022

Man Ray “E.A.” Lithograph Appraisal: How to Read Artist’s Proof Markings and Estimate Value

If your Man Ray print is marked E.A., it may be an épreuve d’artiste (artist’s proof). This guide explains what that means, what to photograph for an appraisal, common authentication red flags, and how recent auction comps frame a realistic value range.

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Credit: Appraisily (AI-generated illustrative photo).
Last updated December 15, 2025 Category: Prints & Multiples

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Many legacy “appraisal report” posts (including the original WordPress version of this page) were short and didn’t explain the most important issue for valuation: what kind of print you actually have. With Man Ray, the market includes everything from lifetime prints to later authorized editions, as well as posters and reproductions that only look like limited editions.

An E.A. notation is the French abbreviation for épreuve d’artiste—an artist’s proof—typically a small subset of an edition kept by the artist. In practice, “E.A.” is a clue, not a guarantee. Appraisers still need to confirm the paper, printing method, and the way the marking was applied.

Below is a collector-first checklist you can follow at home. If you’re trying to appraise a specific title (for example Man Ray’s Rebus series from the early 1970s), you’ll also want to match the size, colorway, and margin notation to a known edition.

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What does “E.A.” mean on a Man Ray lithograph?

E.A. is used in Francophone printmaking contexts to indicate an artist’s proof. You may also see A.P. (artist’s proof), H.C. (hors commerce), or Roman numerals for proofs. Proofs are usually a small percentage of the edition—often single digits to a few dozen, depending on the publisher and era.

In many markets, an artist’s proof can sell for a premium if it is clearly authentic and comparable to the numbered edition. The premium is not automatic. Buyers still look at subject matter, colorway, size, edition size, signature type, condition, and provenance.

For Man Ray specifically, the same image may exist as a print, a later portfolio plate, or a poster. An “E.A.” in the margin doesn’t override those differences—so the goal of an appraisal is to document which version you own.

The photo checklist that makes an appraisal accurate

If you want a reliable value range, take photos that show the entire sheet and the details that differentiate a real edition from a reproduction. Collectors and auction houses usually want:

  • Full front (straight-on, including margins and frame edges if framed)
  • Lower margin close-up showing “E.A.”, the numbering (if any), and the signature/monogram
  • Any embossed chop (printer/publisher) captured at an angle so the relief shows
  • Paper texture (raking light helps) and any watermark if visible
  • Back of the sheet (labels, stamps, hinge tape, foxing bleed-through)
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Margin anatomy: the six details that usually decide authenticity and value. Credit: Appraisily (AI-generated).

Authentication cues (and red flags) for Man Ray prints

A quick way to think about authentication is: is the print consistent with how limited editions are made? An authentic lithograph or screenprint typically shows a combination of correct paper, correct printing characteristics, and correct edition notation.

Positive cues

  • Pencil notation that sits on top of the paper fibers (not printed dots)
  • Plate mark or clear evidence of the printing process (varies by medium)
  • Embossed chop from a publisher/printer (many editions have one)
  • Consistent size that matches a documented edition (image size + sheet size)

Common red flags

  • “Signature” printed in the image area or repeated identically across many listings
  • No margins (image goes to the edge) when the documented edition normally has wide margins
  • Suspiciously low price history for a supposedly rare proof
  • Over-cleaning or heavy mat burn that hides condition issues

If you inherited the work and don’t have paperwork, don’t panic. Condition + documentation can be rebuilt with careful photography, framing notes, and a conservative comparison to auction results.

Value drivers for a Man Ray “E.A.” lithograph

The original WordPress appraisal stub associated with this slug cited a range of $1,200–$1,500 for an artist’s proof lithograph attributed to Man Ray. Whether your print falls in that band depends on a few practical levers:

  • Exact title and edition (e.g., which Rebus variation, year, publisher)
  • Signature format (full signature vs. monogram; pencil vs. printed)
  • Edition size and how many proofs exist (smaller tends to be stronger)
  • Condition (foxing, toning, fading, staining, mat burn, tears, trimming)
  • Provenance (gallery invoice, estate documentation, exhibition history)

Many Man Ray prints trade as “decorator-friendly” works when condition is weak or the edition is unclear, while well-documented editions can justify a stronger premium.

Recent auction comps for Man Ray editioned works

The comps below are pulled from Appraisily’s auction dataset and included to show how wide the range can be depending on medium, edition clarity, and venue. Treat these as context—an appraisal compares your exact edition, size, and condition.

House Date Lot Title Hammer
Rago Arts and Auction Center Feb 12, 2025 Lot 198 Man Ray, Seguidilla $1,200 (USD)
Il Ponte Auction House Nov 27, 2024 Lot 259 Man Ray, Decantatore (signed 17/90) €450 (EUR)
RB Fine Arts Jun 8, 2024 Lot 256 Man Ray lithograph, “Rebus II” (numbered 65/150) $60 (USD)
\"Auction
Rago (Feb 12, 2025) Lot 198: Seguidilla, hammer $1,200. Credit: auction listing photo.
\"Auction
Il Ponte (Nov 27, 2024) Lot 259: Decantatore, hammer €450. Credit: auction listing photo.
\"Auction
RB Fine Arts (Jun 8, 2024) Lot 256: “Rebus II” lithograph, hammer $60. Credit: auction listing photo.

Why include a $60 result next to four-figure comps? Because it illustrates a core appraisal reality: many listings use “lithograph” and edition-style numbering loosely. A well-documented artist’s proof from a known edition can trade in a very different tier than a low-information print offered in a mixed-lot sale.

Selling or insuring a Man Ray proof

If you’re selling, your goal is to make the listing defensible: show the margin details, disclose any paper issues, and avoid copying a title/year unless you can support it. If you’re insuring, focus on a replacement-ready description and conservative comps.

  • For resale: consider a specialist prints dealer, a reputable auction house, or a curated online marketplace.
  • For insurance/estate: ask for a written appraisal report with condition notes and comparable sales.
  • For donations: keep provenance paperwork and request an appraisal that meets your tax jurisdiction’s requirements.

Search variations collectors ask

Readers often Google:

  • what does EA mean on a Man Ray print
  • Man Ray artist proof lithograph value
  • how to tell if a Man Ray lithograph is original
  • Man Ray Rebus lithograph signed and numbered appraisal
  • EA vs AP print markings difference
  • how to photograph a lithograph for an appraisal
  • Man Ray print edition number location
  • how to sell a signed limited edition lithograph safely

Each question maps to the identification, authentication, and comps guidance above.

References

  • General overview of artist’s proofs: https://en.wikipedia.org/wiki/Proof_(printmaking)
  • Appraisily auction dataset snapshots (examples cited: Rago Arts and Auction Center; Il Ponte Auction House; RB Fine Arts).
  • Appraisily legacy appraisal record (WordPress post ID 16093) for “Man RAY Appraisal of a EA Lithograph.”

Wrap-up

An “E.A.” marking can be a positive sign, but value depends on documenting the edition and condition like a specialist would. Start by photographing the full sheet and the lower margin details, then compare your print to known editions and realistic auction comps. If you’re unsure, a quick professional screening can save you from underpricing a legitimate proof—or overvaluing a reproduction.

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