Pop Art Queen Ii 2022 By Margot Laffon 1968

Overview and attribution

“Pop Art Queen II (2022)” attributed to Margot Laffon (often catalogued as b. 1968) sits comfortably within the contemporary pop-portrait tradition: a graphic, high-contrast image of Queen Elizabeth II rendered in saturated blocks of color, sometimes with metallic or fluorescent accents. Works of this type circulate most commonly as editioned prints (screenprint or archival pigment), occasionally as hand-finished mixed media on cotton rag paper or panel.

Because the combination of artist name, subject, and year is relatively recent, and because many contemporary publishers issued Jubilee- and memorial-themed Queen portraits in 2022, due diligence is essential. If you’re assessing a work titled “Pop Art Queen II (2022),” approach it as you would any mid-career contemporary print: verify authorship and production method first, then evaluate condition, edition structure, and provenance.

Key takeaways for appraisers and collectors:

• Expect an editioned print on heavyweight fine-art paper, typically 250–350 gsm cotton rag (Somerset, Arches, Hahnemühle are common).
• Look for a discrete edition number, artist signature (usually graphite in the lower margin), and a date notation “2022.”
• Publisher or printer blindstamps, ink stamps, or labels can be decisive in authenticating the piece.
• Variants are common: colorways, metallic foils, hand-applied embellishments, and AP/PP/BAT copies can command premiums.

If your example deviates from these norms, that does not automatically disqualify it, but it heightens the need for documentation and technical analysis.

Materials, printing, and visual diagnostics

Accurate identification of medium underpins valuation. Two prevalent production methods for this genre in 2022 were silkscreen (screenprint) and archival pigment (often called “giclée”). Mixed-media hybrids also appear, where a pigment print provides the base image, overlaid with screenprinted layers or hand-applied elements.

How to tell them apart (loupe examination is your friend):

• Screenprint (silkscreen)

  • Flat, velvety color fields with uniform density.
  • Slight ink relief you can feel with a light fingertip pass (don’t rub).
  • Crisp edges with minimal feathering; occasional tiny pinholes where ink didn’t fully deposit.
  • Metallic layers (gold, silver) or fluorescents often applied as separate screens; metallics may show micaceous sparkle and sit higher on the sheet.
  • Registration marks are sometimes visible in the margins of printer’s proofs; not on standard edition copies.

• Archival pigment print

  • Microscopic dithering pattern of dots under 10–15x magnification; transitions are smoother and less flat than screenprint.
  • No palpable ink relief (except on very heavy ink laydown or with gloss optimizer).
  • Blacks may show a slight bronzing sheen when viewed at an angle.
  • Often extremely sharp photographic detail if a photographic source is used.

Paper and sheet details:

• Expect mould-made, pH-neutral, cotton rag paper. Watermarks may be visible when backlit.
• Deckle edges on one or more sides are common on premium editions.
• Sheet sizes vary widely; many contemporary pop portraits fall between 50 × 40 cm and 100 × 70 cm. Measure the sheet and image opening accurately to the millimeter.

Color and iconography cues:

• The “Queen II” theme typically presents a bust-length royal portrait, often with stylized crown and regalia, rendered in bold pop palettes. Look for intentional Pop idioms: halftone dots, overprint misregistrations as an aesthetic choice, and color blocks that reinterpret the photographic source.
• Some 2022 editions marked the Platinum Jubilee or memorial period; ancillary text (Jubilee dates) may appear in the margin or verso labels.

Editioning, signatures, and documentation

Edition structure affects scarcity and value. For contemporary Pop editions in 2022:

Common edition types:

• Numbered edition: e.g., 1/75, 23/100. Contemporary publishers frequently choose 25–150 for screenprints; pigment editions can be larger, but tighter editions often hold value better.
• Artist’s Proof (AP): Typically 10% of the edition or fewer, marked AP 3/10. APs can carry a modest premium if identical in quality to the main edition.
• Printer’s Proof (PP), Hors Commerce (HC), Bon à Tirer (BAT): Scarcer and often reserved; premiums depend on market demand and condition.
• Unique variants: Hand-finished elements (spray, stencil, collage) or unique colorways, sometimes annotated “UV,” “HC (unique),” or described in the COA. These command higher prices if the handwork is substantive and documented.

Signatures and inscriptions:

• Contemporary print signatures are typically in soft graphite, lower right margin; edition number lower left; title centered or verso; date to the right of the signature or below the title.
• Compare handwriting across known examples. Watch for autopen uniformity or suspiciously identical signatures.
• Initialed signatures are acceptable if consistent with the artist’s standard practice; otherwise, request corroboration.

Documentation that matters:

• COA from the originating gallery or publisher, with medium, sheet size, image size, edition size, and date. Serial numbers, QR codes, or holograms are increasingly common; confirm the number matches the print.
• Invoice and proof of purchase with date and full work details.
• Printer or publisher blindstamp in the margin or lower corner. Examine embossing depth and quality.
• Exhibition labels or catalogue references, if any.
• Provenance chain: first sale, subsequent transfers, and framing invoices help establish history.

Red flags:

• Open edition pigment prints marketed as “limited” without an edition number.
• Signatures printed as part of the image (not in the margin) with no additional pencil signature.
• Paper that fluoresces strongly under UV light (can indicate non-archival stock or later reproduction).
• Edition numbers out of plausible range (e.g., 347/500) for a mid-career artist if comparables suggest smaller runs.

Condition grading and conservation notes

Condition can swing value by 30% or more on contemporary paper works. Evaluate in neutral daylight and under raking light.

What to check:

• Surface: Abrasions, scuffs, and rubs are common on large flat color fields. Metallic layers scratch easily.
• Creases and handling dents: Especially near corners and margins; these can be visually disruptive on flat fields.
• Paper tone: Look for differential light exposure (framed window vs. mat-covered margins). Even 2022 works can fade if displayed in strong light without UV glazing.
• Inks: Check for set-off (ink transfer) on interleaving tissue; pigment bronzing; cracking in heavy silkscreen layers.
• Stains: Tape ghosts, hinge remnants, foxing, or moisture tidelines. Modern acidic tapes can cause staining in just a few years.
• Cockling and planar distortion: Over-inked prints and humid environments cause waviness; gentle humidification and flattening by a conservator can help.
• Framing: Non-archival mats, pressure-sensitive tapes, and dry-mounting reduce value. Hinges should be reversible (Japanese tissue and wheat starch paste).

Grading language commonly used:

• Mint/As issued: No visible flaws; never framed; original publisher packaging retained.
• Excellent: Crisp, with only the faintest handling marks detectable under raking light.
• Very good: Minor handling or light mat impressions; no color loss.
• Good: Noticeable issues (creases, light soiling) that do not mutilate the image.
• Fair/Poor: Major damage, tears into the image, staining, or trimming.

Conservation tips:

• Store unframed prints flat in archival boxes with acid-free interleaving, or rolled on a large-diameter tube (minimum 10–12 cm) with protective interleaf.
• Frame with UV-filtering glazing, 100% rag mat, and reversible hinges. Avoid spacers pressing against ink layers.
• Display light at 50–150 lux for works on paper; keep relative humidity around 45–55%.

Market context, comparables, and valuation workflow

The 2022–2024 market for contemporary pop portrait prints has been active, particularly for culturally resonant subjects like Queen Elizabeth II tied to Jubilee and memorial news cycles. That said, pricing spreads are wide, reflecting edition size, medium, and artist market depth.

Price drivers you should weigh:

• Medium: Screenprints with multiple color passes, metallics, and hand-finishing tend to outperform open or large pigment editions.
• Edition size: Tighter editions (≤75) generally command higher prices than larger runs (≥150).
• Scale: Larger sheets often carry premiums, but condition sensitivity increases.
• Colorway: Desirable color palettes or rare variants can add 10–30%.
• Proof types: Well-documented AP/PP/BAT may carry modest premiums; BAT sometimes more.
• Timing and demand: Works issued immediately around major events (e.g., 2022 Jubilee, royal passing) may see initial spikes; prices can normalize afterward.
• Provenance and documentation: Complete paperwork and a clean framing history bolster saleability.

Typical ranges seen for comparable contemporary Pop editions (not specific to any one artist, for orientation only):

• Standard edition archival pigment print (50–100 edition): often in the low-to-mid three figures to low four figures.
• Hand-pulled screenprint in a sub-100 edition: often mid-to-high three figures up to several thousand, depending on reputation and finish.
• Unique hand-finished variants: frequently attract multiples over standard editions, contingent on evidence of uniqueness and demand.

Valuation workflow for appraisers and advisors:

1. Identify and document: Title, medium, sheet/image size, edition/variant, signatures, stamps, inscriptions, frame details.
2. Verify authorship: Cross-check signature style, edition format, and any publisher/printer identifiers against known practices. Seek a publisher or studio confirmation if available.
3. Condition report: Grade with photographs under normal and raking light; note all issues.
4. Build comparables: Select same-artist comps first (identical or similar edition, year, size, medium). If sparse, use cross-artist comps within contemporary Pop portraiture with adjustments for edition size, medium quality, and artist market stature.
5. Adjust: Apply systematic adjustments for condition (-5% to -30% as warranted), edition differences, and variant premiums.
6. Conclude value: Specify the premise (fair market value vs. insurance replacement) and effective date. For replacement, consider retail primary-market pricing; for FMV, weight recent secondary sales more heavily.
7. Document the rationale: Record sources, adjustments, and any uncertainties; include high-res images and measurements.

Practical checklist for inspection

• Confirm title and year: “Pop Art Queen II,” dated 2022 on sheet or verso.
• Medium under loupe: distinguish screenprint vs archival pigment; note any hand-finishing.
• Paper: identify brand/watermark; record sheet dimensions and deckle edges.
• Editioning: transcribe exact notation (e.g., 27/75), plus AP/PP/BAT if applicable.
• Signature: graphite or ink? Placement consistent with practice? Compare with known examples.
• Stamps and labels: note printer/publisher blindstamps, verso labels, COA serials/QR.
• Condition: log surface scuffs, creases, staining, cockling, fading; examine under raking light.
• Framing: check for UV glazing, rag mat, reversible hinges; look for pressure-sensitive tapes.
• Provenance documents: invoice, COA, gallery correspondence; ensure details match the print.
• Photography: capture recto/verso, details of signature, edition, stamps, and any defects.
• Market check: pull at least 3–6 relevant comparables; note edition, medium, and date alignment.
• Valuation premise: define FMV vs replacement; apply documented adjustments.

FAQ

Q: How can I quickly tell if mine is a screenprint or a pigment print? A: Use a 10x loupe. Screenprints show uniform, flat color fields with crisp edges and often slight ink relief. Pigment prints reveal microscopic dot patterns and lack tactile relief.

Q: Does the Queen’s passing in 2022 materially affect value? A: It boosted short-term demand for royal portraiture, but sustained value depends on artist market strength, edition size, and medium quality. Expect any news-cycle bump to normalize over time.

Q: What edition size is considered “collectible” for contemporary Pop prints? A: There’s no hard rule, but sub-100 editions in hand-pulled screenprint tend to be more resilient. Larger pigment editions can still be collectible if the artist is in demand, but prices are more sensitive to supply.

Q: My print lacks a COA. Is that a deal-breaker? A: Not necessarily. A coherent set of evidence—signature, editioning, printer/publisher stamp, and a verifiable invoice—can suffice. A later-issued COA from the publisher can help if available.

Q: Can I flatten light waviness myself? A: Avoid DIY flattening. Cockling from heavy ink layers responds best to professional humidification and flattening by a paper conservator to prevent tidelines or cracking.